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-عبدالله
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سعودي ريبورترز saudi reporters عبدالله بكر وعبدالعزيز بكر
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Disney isn’t always what it seems! Here is 10 Disney Movies Kids Never Expected To Be So Dark! Subscribe to our channel: https://goo.gl/wMuSDD
From the 1920’s onwards Disney has been a beloved animation studio, responsible for some of the best films the last century has had to offer. As a company they really understand how to tell a good story, and they know that the best stories require at least a small dark element. It gives the protagonists an adversary, something, or someone, to overcome, and most often it comes in the form of the antagonist, who tends to be working directly against the hero’s. Sometimes it is a case of an evil stepmother making their life miserable, like in Cinderella, and sometimes it develops into full-scale attempts at homicide, like in Snow White and Sleeping Beauty.
Sometimes though, dark elements add up to become dark movies. Fantasia makes references to medieval demonology, something kids wouldn’t really understand, and probably shouldn’t, and the Hunchback of Notre Dame constantly makes use of Hell, sin, and moral evil. Films like Toy Story 3 and Cars 2 are cheery feats of animation, which also feature dark themes and terrifying scenes, such as having to watch some of our favourite characters nearly burn in an incinerator. Dalmatians features a potential dog skin coat, The Black Cauldron an army of skeletons, and the less said about Return to Oz, the better.
Today at ScreenRant we’re looking at 10 Disney movies kids never expected to be so dark.
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Cuban tattoo artist Che Alejandro is starting a revolution his own way. Instead of letting the government determine his destiny, Alejandro plays by his own rules. He operates an underground tattoo parlor in spite of the country’s laws against this type of private business.
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In this short film by Bryan Chang and Alex Mallis, skateboard with Che Alejandro through the streets of Havana as he contemplates the future of Cuban business owners.
Directed and edited by Bryan Chang and Alex Mallis, produced by Allison Pottasch, and cinematography by Bryan Chang.