Adam’s Rib movie clips: http://j.mp/2eptdoK
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CLIP DESCRIPTION:
Amanda (Katharine Hepburn) and Adam Bonner (Spencer Tracy) debate a recent criminal case and how the courts treat men and women differently.

FILM DESCRIPTION:
Written by Ruth Gordon and Garson Kanin, Adam’s Rib is a peerless comedy predicated on the double standard. Spencer Tracy and Katharine Hepburn play Adam and Amanda Bonner, a husband-and-wife attorney team, both drawn to a case of attempted murder. The defendant (Judy Holliday) had tearfully attempted to shoot her husband (Tom Ewell) and his mistress (Jean Hagen). Adam argues that the case is open and shut, but Amanda points out that, if the defendant were a man, he’d be set free on the basis of “the unwritten law.” Thus it is that Adam works on behalf of the prosecution, while Amanda defends the accused woman. The trial turns into a media circus, while the Bonners’ home life suffers. Adam’s Rib represented the film debuts of New York-based actors Jean Hagen, Tom Ewell, and David Wayne (as Hepburn’s erstwhile songwriting suitor), and the return to Hollywood of Judy Holliday after her Born Yesterday triumph. One of the best of the Tracy-Hepburn efforts, it inspired a brief 1973 TV series starring Ken Howard and Blythe Danner.

CREDITS:
TM & © Warner Bros. (1949)
Cast: Will Stanton, Janna DeLoos, Katharine Hepburn, Spencer Tracy
Director: George Cukor
Producer: Lawrence Weingarten
Screenwriters: Ruth Gordon, Garson Kanin

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CASTLE NIGHTMARES (A Gordon Ramsey Kitchen Nightmares Parody)

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Written by Michael Schroeder and Michael Adams Davis

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Dial M for Murder movie clips: http://j.mp/2e0yYpV
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CLIP DESCRIPTION:
Inspector Hubbard (John Williams) sets a trap for Tony (Ray Milland): if he realizes he swapped his wife’s key for a fake, they can prove he’s the murderer.

FILM DESCRIPTION:
Based on the popular mystery play by Frederick Knott, Dial M For Murder is more talky and stagebound than most Hitchcock films, but no less enjoyable. British tennis pro Ray Milland suspects that his wealthy wife Grace Kelly is fooling around with handsome American Robert Cummings. Milland blackmails a disgraced former army comrade (Anthony Dawson) into murdering Kelly and making it look like the work of a burglar. But Milland’s carefully mapped-out scheme does not take into account the notion that Kelly might fight back and kill her assailant. When the police (represented by John Williams) investigate, Milland improvises quickly, subtly planting the suggestion that his wife has committed first-degree murder. He almost gets away with it; to tell you more would spoil the fun of the film’s final thirty minutes. Hitchcock claimed that he chose this single-set play because he was worn out from several earlier, more ambitious projects, and wanted to “recharge his batteries.” Compelled by Warner Bros. to film Dial M For Murder in 3-D, Hitchcock perversely refused to throw in the standard in-your-face gimmickry of most stereoscopic films of the era–though watch how he visually emphasizes an important piece of evidence towards the end of the film.

CREDITS:
TM & © Warner Bros. (1954)
Cast: Robert Cummings, Ray Milland, John Williams, Grace Kelly
Director: Alfred Hitchcock
Producer: Alfred Hitchcock
Screenwriter: Frederick Knott

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Dial M for Murder movie clips: http://j.mp/2e0yYpV
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Don’t miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6pr

CLIP DESCRIPTION:
Mark (Robert Cummings) tries to convince Inspector Hubbard (John Williams) that Tony (Ray Milland) hired the dead man to murder his own wife, but Tony talks his way out of it.

FILM DESCRIPTION:
Based on the popular mystery play by Frederick Knott, Dial M For Murder is more talky and stagebound than most Hitchcock films, but no less enjoyable. British tennis pro Ray Milland suspects that his wealthy wife Grace Kelly is fooling around with handsome American Robert Cummings. Milland blackmails a disgraced former army comrade (Anthony Dawson) into murdering Kelly and making it look like the work of a burglar. But Milland’s carefully mapped-out scheme does not take into account the notion that Kelly might fight back and kill her assailant. When the police (represented by John Williams) investigate, Milland improvises quickly, subtly planting the suggestion that his wife has committed first-degree murder. He almost gets away with it; to tell you more would spoil the fun of the film’s final thirty minutes. Hitchcock claimed that he chose this single-set play because he was worn out from several earlier, more ambitious projects, and wanted to “recharge his batteries.” Compelled by Warner Bros. to film Dial M For Murder in 3-D, Hitchcock perversely refused to throw in the standard in-your-face gimmickry of most stereoscopic films of the era–though watch how he visually emphasizes an important piece of evidence towards the end of the film.

CREDITS:
TM & © Warner Bros. (1954)
Cast: Robert Cummings, Ray Milland, John Williams
Director: Alfred Hitchcock
Producer: Alfred Hitchcock
Screenwriter: Frederick Knott

WHO ARE WE?
The MOVIECLIPS channel is the largest collection of licensed movie clips on the web. Here you will find unforgettable moments, scenes and lines from all your favorite films. Made by movie fans, for movie fans.

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Movie News: http://bit.ly/1C3Ncd2
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