GoPro HD HERO camera: The Bike Movie

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

Freeride mountain bike and BMX highlight reel shows off the stability and stoke that is the HD Helmet HERO wearable camera.

Music by Sir Nicholas Woodman

GoPro HD HERO camera: The Surf Movie

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

HD Surf HERO camera — We went down to Oaxaca, Mexico with rippers Jamie Sterling, Gabriel Villaran, Ramon Navarro and friends to celebrate the launch of the HD Surf HERO camera. The result is a professional surf movie shot on the $269 HD Surf HERO from GoPro.

GoPro HD HERO camera: Formula Car Clip

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

The best part about developing cameras at GoPro is the R&D. Here, GoPro’s CEO, Nicholas Woodman, starts from the back of the pack to showcase the sharpness of GoPro’s HD HERO camera in 1080p. Shot at Infineon Raceway, Sonoma, CA.

GoPro would like to thank all of the volunteer SCCA corner workers that make racing weekends like this possible. This vid’s for you!

GoPro HD HERO camera: Base Jump Clip

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

Neil Amonson, one of GoPro’s more nutball athletes, takes a swan dive in Norway. Yes, this is real…and yes, Neil is awesome. Shot on the new HD Helmet HERO in 960p (1280×960) resolution, with 4:3 aspect ratio, giving you a full 170º angle of view.

GoPro HD HERO camera: Mountain Bike Clip

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

Craig Sanchez rips Whistler A-Line to give us a prime example of GoPro’s legendary image stability and sound quality. The HD Helmet HERO from GoPro…simply the shiz.

GoPro HD HERO camera: Base Jump Movie

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Learn about the new GoPro HD HERO® camera at http://gopro.com.

GoPro’s HD Helmet HERO® camera shoots with such clarity you may develop a visceral need to strap on a parachute and follow Neil Amonson off a cliff.

Shot in 960p (1280×960) HD resolution. 960p is a 4:3 aspect ratio, which means you’re going to see 25% more top/bottom viewing area than you do with 16:9 widescreen aspect ratios. Both are killer, but in the case of this base jumping movie, 960p shows more of the cliff as its passing underneath, and more of the scenery above and below. 16:9 would look good, too…just not as immersive.