Halloween Costume Tips From Comic Con

We asked a bunch of veteran cosplayers for Halloween advice.

1) Don’t Wait Until The Night Before
Jessica, Dick Grayson Robin from Holy Musical B@man

2) Work With Your Body Type
Lacy, Scarlet Witch

3) Accessories Are Key
Danielle and Gina, The Doctor (#11) and Amy Pond from Doctor Who

4) Guys, Don’t Be Afraid To Use Makeup
Scott, Kratos Aurion from Tales of Symphonia

5) Avoid The Major Costume Retailers
Brett, Cyclops from X-Men

6) Be What You Feel
Becca, Rainbow Dash from My Little Pony: Friendship Is Magic

7) Cover Up Your Tattoos
Warren, Sweet Tooth from Twisted Metal

8) Don’t Care About The Weird Looks
Sky, Kaoru Hitachiin from Ouran High School Host Club

9) Wear Comfortable Shoes
Paul, The Doctor (#10) from Doctor Who

10) Bigger Is Better
Thomas, Ursula from The Little Mermaid

11) Keep In Character While In Costume
Robert, Green Arrow

12) Never Give Up
Steve, Zero from Mega Man X

13) Be Physical
Mark, Spider-Man merged with the Venom Symbiote

14) Gender Doesn’t Matter
Sarah, Tintin

15) Dress Up With Friends
Audrey and Kathleen, The Doctor (#10) and Rose Tyler from Doctor Who

16) Making Your Costume Is Half The Fun
Jacob, Shredder from Teenage Mutant Ninja Turtles

17) A Good Costume Takes Dedication
Erica, Hit Girl from Kick-Ass

18) Everyone Can Be Sexy
Mike, Sexy Wario

19) Focus On The Character Of The Wounds
Ethan, biker gang zombie

20) You Can Pull Off Any Costume As Long As You’re Comfortable With Who You Are!
Gus, King Hippo from Mike Tyson’s Punch-Out!!

Haunted Hospital! – Silent Hill 2 is AWESOME! – Part 7

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What has all the fun of dark rooms, finding keys, and boots to the head? Watch us get the shit scared out of us as we try to survive the horrors of Silent Hill 2!

HISHE October update!

Two cartoons are in the works. Here is the low down on the upcoming projects we are working on! Thank you for watching! Be sure to click on that ‘Like’ button and ‘Subscribe’ for more HISHE!

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————–Previous Episodes——————–
How Teenage Mutant Ninja Turtles Should Have Ended:
http://bit.ly/NinjaTurtlesHISHE

Batman Meets Galadriel:
http://bit.ly/BatmanMeetsGaladriel

How The Battle of the Five Armies Should Have Ended:
http://bit.ly/Battleof5ArmiesHISHE

March Update – Painting the Elf Army:
http://bit.ly/PaintingElfArmy

Movie Mash: The Hunger Games and Robocop:
http://bit.ly/HungerGamesRobocopMash

Super Cafe: And The Reboot Goes To:
http://bit.ly/SuperCafeReboot

Extras – Painting the Quicksilver Scene:
http://bit.ly/ExtraQuicksilver

Total Spoilage – Lord of the Rings:
http://bit.ly/LordoftheRingsSpoilage

How X-Men: Days of Future Past Should Have Ended:
http://bit.ly/X-MenDOFPHISHE

Jurrassic World – Raptor Training:
http://bit.ly/RaptorTraining

Movie Mash: Gremlins and Taken:
http://bit.ly/GremlinsTakenHISHE

HISHE 2015 Announcements:
http://bit.ly/HISHE2015News

How to Train Your Dragon 2 HISHE:
http://bit.ly/Dragon2HISHE

Lego HISHE- Sand People are Bad Shots:
http://bit.ly/LegoSandPeopleHISHE

How Guardians of the Galaxy Should Have Ended:
http://bit.ly/GuardiansHISHE

Lego Batman is Jelly:
http://bit.ly/LegoBatmanHISHE

How The Avengers: Age of Ultron Should Have Ended:
http://bit.ly/UltronTeaserHISHE

HISHE Bonus Bundle:
http://bit.ly/BonusBundleHISHE

How The Maze Runner Should Have Ended:
http://bit.ly/MazeRunnerHISHE

Megatron Misses Shia:
http://bit.ly/MegatronMissesShiaHISHE

How The Amazing Spider-Man 2 Should Have Ended:
http://bit.ly/ASM2HISHE

Villain Pub- To The Tailor:
http://bit.ly/VP-ToTheTailorHISHE

The Lego HISHE 2 (The Alternate Ending):
http://bit.ly/LegoHISHE2

How the Batman v Superman SDCC Teaser Should Have Ended:
http://bit.ly/BatmanVSupermanHISHE

How Captain America: The Winter Soldier Should Have Ended:
http://bit.ly/CaptainAmericaWSHISHE

HISHE @ SDCC 2014:
http://bit.ly/ComicCon2014HISHE

How Godzilla Should Have Ended:
http://bit.ly/GodzillaHISHE

Villain Pub- To Battle!:
http://bit.ly/VP-ToBattleHISHE

How Frozen Should Have Ended:
http://bit.ly/FrozenHISHE

The Lego HISHE:
http://bit.ly/TheLegoHISHE

How The Batman Begins Should Have Ended:
http://bit.ly/BatmanBeginsHISHE

How The Phantom Menace Should Have Ended:
http://bit.ly/PhantomMenaceHISHE

How The Desolation of Smaug Should Have Ended:
http://bit.ly/SmaugHISHE

How Thor The Dark World Should Have Ended:
http://bit.ly/ThorDarkWorldHISHE

Super Cafe: Who’s a Hero:
http://bit.ly/SCWhoHISHE

Doctor Who: How Doomsday Should Have Ended:
http://bit.ly/DrWhoDoomsdayHISHE

How World War Z Should Have Ended:
http://bit.ly/WWZHISHE

How Star Trek Into Darkness Should Have Ended:
http://bit.ly/StarTrekDarknessHISHE

How Pacific Rim Should Have Ended:
http://bit.ly/PacificRimHISHE

Super Cafe: Versus
http://bit.ly/SCVersusHISHE

How Man Of Steel Should Have Ended:
http://bit.ly/ManofSteelHISHE

How Fast and Furious 6 Should Have Ended:
http://bit.ly/FF6HISHE

How Iron Man 3 Should Have Ended:
http://bit.ly/IronMan3HISHE

How Oblivion Should Have Ended:
http://bit.ly/OblivionHISHE

How Indiana Jones and the Last Crusade Should Have Ended:
http://bit.ly/LastCrusadeHISHE

Super Cafe: Swingers Tribute:
http://bit.ly/SCSwingersHISHE

Stan Lee’s Star Wars HISHE:
http://bit.ly/StanLeeHISHE

How Portal Should Have Ended:
http://bit.ly/PortalHISHE

How The Hobbit Should Have Ended:
http://bit.ly/HobbitHISHE

Future Proof – Illusionary dance

FUTURE PROOF – 2011 A/NZ PromaxBDA Opener

The DMC Initiative (DMCI) developed this piece as a response to the 2011 A/NZ PromaxBDA Conference title of Future Proof.

Our approach was to focus not on futuristic notions but to consider that which is timeless. People, the expression of self and the interactions between each other are timeless qualities relevant to creativity, no matter what the future holds.

The concept started quite fluidly, by briefing a variety of dancers, with individual performance styles, to develop choreography based on the concepts of growth, sharing, sending and receiving.

Directed by Nathan Drabsch, the performances were shot over one day using two RED Epic cameras, capturing the action at high speed. All design, editing and post production was done in-house by The DMCI team. We worked closely with composers and audio designers Mark Brandis & Jeff Black from ism studios, to create a unique score that perfectly compliments the performances.

As a whole, the focus is on the dancers as they create and interact with abstract forms in a vast unknown world. Their own movements determine the creation and final destruction of these elements. Their own paths of communication and creative expression have come full circle, and all that remains is the individual.

CREDITS

Created by The DMC Initiative (DMCI)
Contact: hello@thedmci.com.au

Creative Director / Director: Nathan Drabsch
Producer: Amy Nguyen
Editing, Design, 3D & Compositing: The DMCI – Brecon Littleford, Bernard Tan, Nathan Drabsch

AUDIO
Composition & Sound Design: Mark Brandis and Jeff Black @ ism studios

Contact: info@ismstudios.com.au

CREW
Director: Nathan Drabsch
DOP: Simon Chapman
Camera Operators: Aaron Haberfield & Glen Cogan (Enigma)
Producer: Amy Nguyen
Talent Co-Ordinator/Production: Briony Luschwitz (Motion Picture Company)
Gaffa/Lighting: Steve Scholfield
Best Boy: Andrew Ward
Hair Stylist: Elizabeth Vo
Make Up Artist: Angela Vien-Debetaz
Cameras supplied by Lemac and Enigma

DANCERS
Sarah Seville
Natasha Marconi
William Sanchez
Christopher Van Doren
Amy Campbell
Charles Bartley
Thi Nguyen